
As social documents, Riis's photographs have the effect, through valuing their human centers, of denying any picturesque quality to the squalor in which they are set. Dimensions are accurately captured, light or the lack thereof is noted, debris appears as itself. The human does not adorn or ennoble this setting, he or she appears superimposed on it, as in a montage of grotesquely juxtaposed elements. The vibrant faces look all wrong against the dirt. The mismatch cries out for rectification.
- picture taken by Jacob Riis, excerpt from Low Life, by Luc Sante